AFROJACK RELEASES NEW FOURTEEN-TRACK EP “PRESS PLAY”

Showcasing a versatile and expansive range of music, Grammy-winning dance music DJ & producer, Afrojack, has today released a new EP titled “Press Play”. The EP features cross-genre dance music from club bangers to melodic anthems to progressive-house and includes an impressive fourteen tracks. Some of the tracks are already released and others are new today. The EP is also being released on Wall Recordings.

Listen to Afrojack – Press Play EP

“Press Play” is packed with live set fixtures and many collaborations with artists who are signed to Afrojack’s Wall Recordings such as Chico Rose, Chasner, DISTO and Jewelz & Sparks. Fans will enjoy progressive-House-flavored singles like ‘When You’re Gone’ and ‘2012’ to club-oriented cuts such as ‘Let It Rip’ and ‘Own Game’. As the name says, this EP will make fans ‘Press Play’ in an instant and repeat the process to prolong the magic of this fourteen-track melodic journey.

 

“For me, this was more of a journey to show a different side of me with the different styles of music I’ve been doing,” Afrojack said. “I’ve been playing a lot of tracks with the new artists I signed to my label in my sets, so it made sense to put out all of the music fans have been hearing since Ultra this year on the EP. You’ll hear familiar and unfamiliar sounds with some great artists and I can’t wait for the fans to hear it all.”

Named the #8 DJ in the world by DJ Mag’s Top 100 DJs poll (his seventh consecutive year of appearing in the Top 10) and slated to continue that tradition through this year’s voting, Afrojack is one of the most popular dance music acts of today and a sought-after producer who’s won a Grammy for his and David Guetta’s remix of Madonna’s ‘Revolver’ and worked with everyone from Pitbull to Sting and Chris Brown. Coming from a two-year period that saw him drop an array of hits such as ‘Bad Company’ with Dirtcaps, ‘Helium’ with David Guetta and Sia, and a remix of U2’s iconic ‘Get Out Of Your Own Way’, Afrojack continues to bend genres as a musician with an admirable work ethic, huge output and peerless sense of what makes a record erupt in music scenes across the globe. Add to that the gamut of top-tier festivals he wrecks the mainstages of and you know Afrojack is in it to win it whenever he drops a new crowd favorite, let alone an entire fourteen-track EP.

BEN GOLD & AUDREY GALLAGHER – There Will Be Angels (STANDERWICK Remix)

The DJ who was born in Bristol, England has an impressive career with a lot of successful tracks. Now he can add this remix to that wonderful list. The original track is from the ‘Sound Advice’ album of Ben Gold. STANDERWICK made a powerful and energetic remix of ‘There Will Be Angels’. Trance fans from all over the world will lose their minds by hearing this stunner. Are you curious?

LISTEN HERE 

 

Featuring a devastating kick-bass combo alongside soaring synths and Audrey Gallagher’s highly-recognizable timbre, STANDERWICK’s remix of Ben Gold’s ‘There Will Be Angels’ is heaven on earth for many Trance fans. Energetic, powerful and stirring, this song is all you bargained for and more.

RADION6 – Surrender

Sometimes, there’s just no words needed.. Just listen and admire! This is the case of ‘Surrender’

Listen HERE 

Prolific as ever, Radion6 is back on A State Of Trance with another beast of a record. Following the gorgeous ‘Our Beautiful World’, ‘Surrender’ sees the talented Dutchman tap into his bottomless well of inspiration to once again shower the crowd with entrancing melodies and big power surges. This cut make you bend the knee in admiration.

JOHN CHRISTIAN – The Trip

The Dutch DJ and producer John Christian is a familiar name within the industry thanks to his high-profile production work. His track ‘The Trip’ has already broken some crazy record! It’s been played for two years in Armin van Buurens sets, but still remained ID until now! Insane right?!

Listen to John Christian- The Trip HERE

Pummeling through clubs and festivals like a steamroller, John Christian’s ‘The Trip’ exudes power from start to finish. Armed with tremor-like kick drums, colossal synth blasts and pounding bass, this cut is why venues ought to have a replacement sound system nearby.